Last night I was out on the terrace listening to the waves and I was reminded of how often guests have told me how much they enjoy going to sleep listening to the waves. I took the video below of those lapping waves. It was darker than usual and so without the shine of the moon, the video is dark/black. You can hear the waves though and almost imagine yourself with your eyes closed, drifting off to sleep. Push the button and listen...
This morning I went out onto the terrace, was greeted by the waves again and saw this incredible sunrise...isn't the sun brilliant on the water?
Below is a little video of the lapping waves from this morning.
Nighttime and morning, the waves are with us, gently ebbing back and forth, beseeching us to relax and dream.
Friday, January 29, 2010
Tuesday, January 12, 2010
A Parallel Universe... in Rincon PR
The light that comes to the earth from the sun consists of short wave length ultraviolet light, visible light and longer wavelength infrared light. The largest fraction of light is actually infrared. Our eyes can see only in the visible light range. Existing side by side with what we take for ordinary visual reality is a parallel reality created by the reflection of infrared light, to which our eyes are insensitive. One can use a filter on a camera to block out all but infrared light and then record images that are created by the reflection of infrared light off surfaces.
One of the technical problems with making photographs using infrared light is that it takes a longer time to make such an exposure. Thus, if you use an infrared filter you usually should use a tripod to steady the camera and avoid motion blur from any small movements of the camera.
I have worked previously with infrared exposures of landscapes and I'm sure that you have seen images such as the one below of the Lemontree... taken yesterday using an infrared filter. Usually these images are converted into black and white photographs as you see.
In these images the green foliage is rendered as white because chlorophyll fluoresces the infrared light. Like the tropics with snow?!
Without the benefit of a tripod I also made a couple of other infrared photographs. One a portrait and the other of shaded leaves in a tree.
What is really cool about this use is that infrared seems to hide imperfections and shows the skin with a smooth porcelain like glow. She was looking almost directly into the sun, as you can see from her eyes, and yet the photograph is not blownout and looks rather intriguing.
Finally this last image was taken under the canopy of a large tree on the beach... again hand-held.
While there is some motion blur, what I really like is how the leaves are rendered in white and the veins and termite trails are shown as black. It produces a great design and an almost abstract take on the tree branch.
It is possible to have a digital camera permanently converted infrared. This then makes it possible to capture this non-visible part of the spectrum just like shooting in the visible range. Here is a site that offers tutorials and a camera conversion service. Should you decide to do a conversion and try infrared, let us know how you like it!
One of the technical problems with making photographs using infrared light is that it takes a longer time to make such an exposure. Thus, if you use an infrared filter you usually should use a tripod to steady the camera and avoid motion blur from any small movements of the camera.
I have worked previously with infrared exposures of landscapes and I'm sure that you have seen images such as the one below of the Lemontree... taken yesterday using an infrared filter. Usually these images are converted into black and white photographs as you see.
In these images the green foliage is rendered as white because chlorophyll fluoresces the infrared light. Like the tropics with snow?!
Without the benefit of a tripod I also made a couple of other infrared photographs. One a portrait and the other of shaded leaves in a tree.
What is really cool about this use is that infrared seems to hide imperfections and shows the skin with a smooth porcelain like glow. She was looking almost directly into the sun, as you can see from her eyes, and yet the photograph is not blownout and looks rather intriguing.
Finally this last image was taken under the canopy of a large tree on the beach... again hand-held.
While there is some motion blur, what I really like is how the leaves are rendered in white and the veins and termite trails are shown as black. It produces a great design and an almost abstract take on the tree branch.
It is possible to have a digital camera permanently converted infrared. This then makes it possible to capture this non-visible part of the spectrum just like shooting in the visible range. Here is a site that offers tutorials and a camera conversion service. Should you decide to do a conversion and try infrared, let us know how you like it!
Monday, January 11, 2010
Sylvia, the rehersal for ARF Benefit, Rincon, PR
So much activity and so few blog entries... oh my. These include a great New Year, an opening of Todd's new photography exhibition at Rincon of the Seas, work on a new musical play-list in preparation for our performance in early February, the return of high season here at the Lemontree and... ta ta, moving the rehearsal with Rincon Players into high gear.
Yesterday, the players in our play reading group, Rincon Players, went to the venue for our staged reading of Sylvia on behalf of ARF, the Rincon Animal Rescue Foundation. We began to work out the blocking for the production and to consider some of the challenges of the space for performing the actual production. The performance is scheduled for the 17th of February and so, we have our work cut out for us!
Labels:
ARF,
Rincon PR beachfront hotel,
Sylvia the play
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